The executive collection combining classic and modern, rich and understated..
The collection reconciles what seems irreconcilable. The two paths of design, classic and modern, come together in an evocative aesthetic that conveys a sophisticated effect of importance and prestige, enhanced by the use of hand-crafted solid wood, with the precision and industrial technique that does not forego the aesthetic minimalism and technology necessary for modern executive and managerial spaces. The industrial approach, for a serial production, merges with the emotion of an object designed to be unique and freely customisable in terms of dimensions, finishes and integrated accessories.
Ianus is a collection for executive offices: desks, desk extensions, meeting tables and large solutions for board rooms, drawer and storage units, bookcases and boiserie. From the rectangular top with open or panelled trestle base, to the elliptical top for large meetings with open or closed base, to the square base with square or circular top, the solutions are combined with a wide choice of finishes and dimensions, which can also be customised to fit in perfectly with the interior design.
The characteristic trait is the shaped solid wood frame, in which the tops are embedded, which is a recurring feature throughout the collection. The aesthetic balance, between 'rationalist' culture - with clear references to Asplund and a nordic approach - and the formal memory of centuries of European Architecture, is expressed in the clarity of the square grid that designs furniture based on a construction harmony typical of classical buildings.
Materials such as wood, leather, lacquer, polished metal and marble enrich the touch feeling and the perception of the object. Surfaces that welcome years coming along and preserve their memory. The aesthetics that is not afraid of time passing and it is able to evolve with it, also with the fine grain of wood embedding the patient work of nature's aesthetic sense.
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Extremely discreet, it is possible to technologically accessories the tables with mechanisms, technological equipment, electrical sockets and accessories without renouncing rounded shapes and precious details, even with fully concealed audio-video solutions.
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“Ianus, the God of renewal, has two faces, one looking to oncoming events, and the other looking to the past. Actually, every new fact roots back into the “past”. Avant-garde approach and formal research stay in his field of vision as different opportunities. Most straightforwardly, Ianus puts aside age-old controversies and asks a piece of forniture to be what it is: not just a theory.”
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